“The Marvels” presents a conundrum for fans of the Marvel Cinematic Universe. On one hand, it’s a polished, action-packed adventure that showcases the studio’s knack for creating visually stunning and entertaining films. On the other, it’s a clear example of Marvel’s formulaic approach, lacking the depth and innovation that could have set it apart.
The film’s leading trio, Brie Larson as Captain Marvel, Iman Vellani as Ms. Marvel, and Teyonah Parris as Monica Rambeau, bring a lively dynamic to the screen. Their performances are commendable, with each actor infusing their character with distinct personality traits that should have been the cornerstone of a more engaging narrative. Larson maintains her spiky cool, Parris brings warmth and wisdom, and Vellani adds a burst of teenage enthusiasm. However, their talents are somewhat underutilized in a script that struggles to balance their stories with the broader MCU narrative.
Director Nia DaCosta, known for her work on “Candyman,” shows promise with her direction, especially in a few standout scenes that break away from the typical Marvel mold. These moments hint at what could have been a more unique and compelling film if DaCosta had been given more creative freedom. Instead, the film often succumbs to the predictable beats and tropes of a standard superhero movie.
The plot itself is a whirlwind of intergalactic travel, with the usual mix of action and humor Marvel is known for. Yet, it feels overcrowded and somewhat disjointed, as it tries to weave together various storylines and set up future installments. The villain, Dar-Benn, played by Zawe Ashton, is a typical Marvel antagonist, with grand plans for destruction but lacking depth or a compelling motive.
Visually, the movie is a mixed experience. While some scenes are beautifully shot, showcasing the talents of cinematographer Sean Bobbitt, others suffer from lackluster CGI that detracts from the film’s overall impact. The special effects are inconsistent, with some sequences appearing polished and others surprisingly subpar.
The film’s attempt to create emotional resonance often feels forced, especially in the strained mother-daughter dynamic between Larson and Parris’s characters. This subplot, like many others in the film, feels underdeveloped and rushed. The script doesn’t allow enough time for these relationships to evolve naturally, leaving the viewer feeling somewhat disconnected from the characters’ journeys.
Despite these criticisms, “The Marvels” is not without its charms. The film features some genuinely funny and heartwarming moments, and the chemistry among the lead actors is a highlight. The action sequences are, as expected from Marvel, well-choreographed and visually impressive. Moreover, the film’s soundtrack, while occasionally predictable, adds an energetic layer to the movie.
“The Marvels” is a film that will entertain Marvel fans but is unlikely to be remembered as one of the franchise’s standout entries. It’s a safe, formulaic addition to the MCU that ticks all the boxes for a superhero movie but misses the opportunity to be something more. While it has its moments of brilliance, they are overshadowed by the film’s adherence to a tried and tested formula, leaving it feeling like a missed opportunity for something truly groundbreaking.
