“Death Becomes Her: The Musical” has captivated audiences with its pre-Broadway run in Chicago, transforming the cult classic film into a vibrant, theatrical spectacle. I had the pleasure of seeing this production on May 5th, and it was an unforgettable experience.
The cast delivers outstanding performances, with leads who balance perfectly the dark humor and fantastical elements of the story. Megan Hilty (Madeline Ashton) and Jennifer Simard (Helen Sharp) shine in their roles, bringing both comedic timing and dramatic depth. Madeline Ashton is the most beautiful actress (just ask her) ever to grace the stage and screen, while Helen Sharp is the long-suffering author (just ask her) who lives in her shadow. They have always been the best of frenemies… until Madeline steals Helen’s fiancé away. As Helen plots revenge and Madeline clings to her rapidly fading star, their world is suddenly turned upside down by Viola Van Horn, a mysterious woman with a secret that’s to die for. Tony Award-winner Roger Bart (Ernest Menville) provides a compelling portrayal of the hapless plastic surgeon caught between two immortally feuding women.
A standout performance is delivered by Grammy® Award winner Michelle Williams (Destiny’s Child, Chicago) as Viola Van Horn. Williams brings a magnetic presence to the stage, perfectly embodying the character’s enigmatic allure and dark charisma. Her vocal performance, especially in the song “Potion of Youth,” is a highlight, showcasing her range and power.
The music and lyrics are a highlight, blending memorable tunes with witty, sharp lyrics that enhance the narrative. The songs are both catchy and poignant, effectively conveying the themes of vanity, immortality, and rivalry. Each musical number is meticulously crafted, adding depth and excitement to the story. The show features standout numbers like “Forever Young,” a satirical take on the obsession with youth, and “Till Death Do Us Part,” a duet that captures the darkly comedic essence of the characters’ relationship.
Direction and choreography are top-notch, with seamless transitions between scenes and dynamic dance routines that keep the audience engaged. Tony Award-winning director Christopher Ashley’s vision is evident in the fluidity and pacing of the production. The choreography by Sergio Trujillo complements the musical numbers, adding a lively and energetic dimension to the performance. The use of stage space is innovative, creating an immersive experience that draws viewers into the fantastical world of the characters.
The set design and costumes are visually stunning, capturing the glitz and glamour of the original film while adding a unique theatrical flair. The sets are elaborate and versatile, with revolving stages and intricate backdrops that transition smoothly from opulent mansions to eerie, supernatural settings. The costumes, designed by Catherine Zuber, are both extravagant and detailed, reflecting the characters’ larger-than-life personalities and the show’s campy, over-the-top aesthetic.
Special effects play a crucial role in bringing the story’s supernatural elements to life. The visual effects are impressive, particularly in scenes that involve the characters’ transformations and immortal antics. These effects are executed with precision, adding to the overall spectacle of the production. The use of practical effects and illusions enhances the theatrical experience, making moments like Madeline’s twisted neck and Helen’s hollowed-out torso both shocking and entertaining.
The creative team for “Death Becomes Her” includes industry veterans such as Derek McLane (Sets), Paul Tazewell (Costumes), Justin Townsend (Lights), and Peter Hylenski (Sound). The musical features a book by Marco Pennette, an original score by Julia Mattison and Noel Carey, music supervision by Mary-Mitchell Campbell, orchestrations by Doug Besterman, and dance & incidental music arrangements by Sam Davis. The direction and choreography by Tony Award winner Christopher Gattelli are complemented by associate director Bethany Pettigrew and staging supervisor Mark Myars.
The ensemble, including Marija Abney, Sarita Colon, Kaleigh Cronin, Natalie Charle Ellis, Gabriella Enriquez, Taurean Everett, Michael Graceffa, Neil Haskell, Kolton Krouse, Josh Lamon, Sarah Meahl, Diana Vaden, Sir Brock Warren, Bud Weber, Ryan Worsing, and Warren Yang, adds a rich layer of talent and energy to the production. The swings, Beau Harmon, Johanna Moise, Amy Quanbeck, and Zach Williams, ensure that the show runs smoothly and seamlessly.
The audience reception was overwhelmingly positive, with many praising the show’s ability to stay true to the essence of the film while offering a fresh and entertaining experience. Laughter and applause were frequent, indicating a strong connection between the performers and the audience. The show’s humor, combined with its visual and musical appeal, resonated well with viewers, ensuring a memorable evening for all in attendance.
“Death Becomes Her: The Musical” is a dazzling success, delivering a perfect blend of humor, drama, and spectacle. It is a must-see for fans of the original film and newcomers alike. The Chicago performance on May 5th showcased the show’s potential to become a Broadway hit, leaving the audience eagerly anticipating its next chapter.
Overall, the production is a testament to the creativity and talent involved in bringing this beloved story to the stage. It promises a bright future and sets a high bar for future adaptations. If you have the chance to see it, don’t miss out on this extraordinary theatrical experience. The combination of stellar performances, captivating music, and impressive visuals makes “Death Becomes Her: The Musical” a standout production in the theater world.
For more information, visit DeathBecomesHer.com. (Photo credit: Matthew Murphy & Evan Zimmerman)
