REVIEW: The Burial

“The Burial,” starring Jamie Foxx and Tommy Lee Jones, is a delightful cinematic throwback that brings the simple pleasure of comfort food to the big screen. Director Maggie Betts takes us on a journey to ’90s-inspired courtroom drama with a dose of extreme comedy, and the result is as refreshing as a summer breeze in the South.

The film introduces us to flashy personal injury lawyer Willie E. Gary, portrayed brilliantly by Jamie Foxx, who arrives in Mississippi to defend the mild-mannered Jeremiah O’Keefe, played by Tommy Lee Jones, against a multi-billion dollar corporation. While “The Burial” has its quirks, including thin character development and an oddly framed rivalry, it manages to be undeniably entertaining.

The story kicks off when the broke Jeremiah, a funeral home owner, ventures with his lawyer Mike Allred (Alan Ruck) to Vancouver to strike a deal with CEO Ray Loewen (Bill Camp). However, when Loewen delays signing the contract, young attorney Hal (Mamoudou Athie) suspects foul play and convinces Jeremiah to take legal action. This is where the charismatic Foxx as Willie E. Gary enters the picture.

Unlike many films that attempt to tackle complex racial issues within the confines of a feel-good narrative, “The Burial” doesn’t attempt to solve all of society’s problems in its runtime. It doesn’t aim to cleanse Jeremiah’s conscience either. Instead, Foxx’s Willie takes center stage, delivering one of his best and most vibrant performances to date.

While Willie is a fully fleshed-out character, Jeremiah remains somewhat functional, and the same can be said for the supporting cast, including Willie’s wife, Gloria (Amanda Warren), and Jeremiah’s lawyers, Hal and Mike. Even the dynamic between Willie and Mame Downes (Jurnee Smollett), Loewen’s attorney, is explored only superficially.

Race is a prominent backdrop in “The Burial,” set against the backdrop of the O.J. Simpson trial and the racial history of the South. The film portrays microaggressions and highlights the significance of the National Baptist Convention, adding depth and emotion to the story.

The film also embraces culturally specific Black humor, with Foxx’s Willie being a hilariously gaudy character. Foxx masterfully handles Willie’s eccentricities without reducing him to a caricature. His rhythmic and melodious speech adds layers of meaning to the film’s climax, making it a standout moment.

What truly sets “The Burial” apart is Jamie Foxx’s heart and soul, which infuse the film with tension, frivolity, and a sense of purpose. Even when the courtroom scenes follow familiar visual patterns, Foxx’s performance elevates the film, making it a memorable and highly re-watchable comedy.

In conclusion, “The Burial” may have its flaws, but it’s a heartwarming and entertaining film that harks back to the inspirational courtroom dramas of the ’90s. With Jamie Foxx’s standout performance and its unique blend of comedy and drama, it’s a cinematic treat that’s well worth a watch.

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